UFO ist eine britische Science-Fiction-Fernsehserie von Gerry und Sylvia Anderson, die von 19erstmals ausgestrahlt wurde. Top-Angebote für Ufo Serie in Film-Dvds & -Blu-Rays online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl. - Erkunde Frank Noes Pinnwand „UFO Serie“ auf Pinterest. Weitere Ideen zu Fernsehserie, Serien, Außerirdisches.
Ufo Fernsehserie Links zum Thema
Die Geheimorganisation SHADO wird nach mehrfachen Entführungen durch Außerirdische ins Leben gerufen. Sie kämpft von ihrem Versteck in einem getarnten Fernsehstudio aus gegen die außerirdische Bedrohung. UFO ist eine britische Science-Fiction-Fernsehserie von Gerry und Sylvia Anderson, die von 19erstmals ausgestrahlt wurde. UFO: Als Außerirdische Menschen entführen, ruft das englische Militär die Geheimorganisation S.H.A.D.O. ins Leben. Der Hauptsitz befindet sich in einem . Dem britischen Fernsehen verkaufte er die Serie als etwas, das durchaus in der Tradition von "Thunderbirds" stehen sollte, doch in Wahrheit war und ist UFO. - Erkunde Frank Noes Pinnwand „UFO Serie“ auf Pinterest. Weitere Ideen zu Fernsehserie, Serien, Außerirdisches. Cast und Crew von "UFO". Crew. Produzent: Reg Hill; Produzent, Regisseur: Gerry Anderson; Regisseur: Alan Perry; Regisseur: Ken Turner. Top-Angebote für Ufo Serie in Film-Dvds & -Blu-Rays online entdecken bei eBay. Top Marken | Günstige Preise | Große Auswahl.
Cast und Crew von "UFO". Crew. Produzent: Reg Hill; Produzent, Regisseur: Gerry Anderson; Regisseur: Alan Perry; Regisseur: Ken Turner. - Erkunde Frank Noes Pinnwand „UFO Serie“ auf Pinterest. Weitere Ideen zu Fernsehserie, Serien, Außerirdisches. Kino, Fernsehserien, Rezepte, Science Fiction Kunst, Retrofuturismus, Fotos, UFO TV Series Fernsehserien, Fernsehen, Alte Filme, 60 Jahre, Filmfiguren.
Ufo Fernsehserie Navigationsmenü VideoUFO_engl-TV-Serie Folge 5
Ufo Fernsehserie Contribute to This Page VideoUFO_apicella.eu-Serie Folge 10 Diese Website befasst sich mit den drei Vintage Certina Uhren, welche bei der Kult-Fernsehserie "UFO" als Movie Props verwendet wurden. UFO - Weltraumkommando S.H.A.D.O Die komplette Serie DVD online kaufen bei EMP ✩ Riesige Produkt-Auswahl ✓ Kauf auf Rechnung ➤ Jetzt zugreifen. Kino, Fernsehserien, Rezepte, Science Fiction Kunst, Retrofuturismus, Fotos, UFO TV Series Fernsehserien, Fernsehen, Alte Filme, 60 Jahre, Filmfiguren.
See the full list. With the help of his girlfriend, Natalie Ella Purnell , and his advanced mathematics professor, Dr. Written by ahmetkozan.
This was certainly no big budget Hollywood blockbuster, but a fairly decent and interesting film that held my attention. It didn't have any action or thrills, but the rather original concept behind a UFO sighting was enough to keep me well interested.
This is novice director and writer Ryan Eslinger's fourth film installment, and he did a very good job. The score was a little too obvious throughout the entire film, and pausing it in certain scenes would have created better tension for the viewer.
The pacing and length were just right. Perhaps someone more seasoned would have made this film more appealing. It was however a pleasant surprise to see Gillian Anderson a.
I can see many people slamming this film, especially if they hate math, and because it's not your typical Hollywood production. Had there been narrating, it would have made for a great documentary type film.
This felt more like one of those "based on a true story" films. Nothing spectacular, but still interesting enough to watch and make you think.
Nevertheless, still enjoyable and refreshing to see something different, even if not Hollywood-ish. Would I recommend it? Would I see it again?
Probably not. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist.
Visit our What to Watch page. Sign In. Keep track of everything you watch; tell your friends. Full Cast and Crew. Release Dates.
Official Sites. Jack Newton 1 episode, Michael Kilgarriff Steiner 1 episode, Paula Li Shiu Tsi 1 episode, Alan Tilvern Delegate 1 episode, Christopher Timothy Skydiver 3 Navigator 1 episode, John J.
Studio Security Man 1 episode, Nancy Nevinson Housekeeper 1 episode, Michael Glover Guard 1 episode, Robin Hawdon Skydiver 3 Captain 1 episode, Mary Merrall O'Connor 1 episode, Donald Pelmear Estate Agent 1 episode, Hein Viljoen Moonmobile Captain 1 episode, James Marcus Porter 1 episode, Paul Gillard Kurt Mahler 1 episode, Jean Marsh Janna 1 episode, Russell Napier Green 1 episode, Richard Poore Moonmobile Lt.
Hospital Doctor 1 episode, Hugh Armstrong Alien 1 episode, Hans De Vries Security Man 1 episode, Tutte Lemkow Singleton 1 episode, Joseph Morris Medic 1 episode, Patrick Jordan Russian Base Cmdr.
Nurse 1 episode, Arthur Cox Louis 1 episode, Peter Dolphin Skydiver 3 Engineer 1 episode, Gary Files Phil Wade 1 episode, Stuart Damon Howard Byrne 1 episode, Janos Kurucz Russian Astronaut 1 episode, Michael Nightingale Mary's Father 1 episode, Matthew Roberton Harris 1 episode, Mark York Skydiver 3 Engineer 1 episode, Stephan Chase Film Director 1 episode, Paul Tamarin Russian Astronaut 1 episode, Oscar James Plain Clothes Officer 1 episode, Norton Clarke Nurse 1 episode, Annette Kerr Nurse 1 episode, Aidan Murphy Room 22 Guard 1 episode, Paul Greaves Alien uncredited 1 episode, Edwina Carroll Leila Carlin uncredited 1 episode, John Clifford Launch Control Harry uncredited 1 episode, Stenson Falke Launch Control 2nd Operative uncredited 1 episode, John Levene Interceptor Pilot uncredited 1 episode, Ned Lynch Film Crew uncredited 1 episode, Louisa Rabaiotti Keith Ford uncredited 1 episode, Bob Sherman Launch Control 1st Operative uncredited 1 episode, Jack Silk Motorcyclist uncredited 2 episodes, Mickey Varey Road Builder uncredited 1 episode, Bill Westley Sr.
Passerby uncredited 1 episode, Stuart Wilson Man at party uncredited 1 episode, Maxwell Craig Assassin uncredited 1 episode, David Daker Focus Puller 12 episodes, Robin McDonald Clapper Loader 12 episodes, Jack Lowin Edit page.
Add episode. Manhotep's Series. Serije pre koje imaju prevode. Sci-Fi Worlds by jcmadu. Share this page:.
Clear your history. Nina Barry 23 episodes, Joan Harrington 13 episodes, Virginia Lake 9 episodes, Carlin 6 episodes, Shroeder 4 episodes, Alien 4 episodes, Andy Conroy 2 episodes, Ken Matthews 2 episodes, Miss Holland 2 episodes, Skydiver Captain 2 episodes, Skydiver Engineer 2 episodes, Sarah Bosanquet 2 episodes, Liz Newton 1 episode, Pilot - Space Ship 1 episode, John Rutland 3 episodes, John Croxley 1 episode, Grant 1 episode, Dawson 1 episode, Doctor Stranges 1 episode, Jim Regan 1 episode, Stella Croxley 1 episode, Paul Roper 1 episode, Skipper 1 episode, Captain Frank Craig 1 episode, Gateman 1 episode, Rating 1 episode, Colonel Craig Collins 1 episode, Cabinet Minister 2 episodes, Radar Technician 1 episode, Linda Simmonds 1 episode, Film Producer 1 episode, Carol Roper 1 episode, Jane Carson 1 episode, Catherine Frazer 1 episode, Daniel Clark 1 episode, David Grey 1 episode, Radar Officer 1 episode, Sylvia Graham 1 episode, Tanner 1 episode, Tim Redman 1 episode, Maddox 1 episode, Jim Lewis 1 episode, Clem Mason 1 episode, Another episode, " The Square Triangle ", centres on a woman and her lover who plan to murder her husband.
Straker realises, however, that the drugs will not affect their basic motivation and, worse, he cannot reveal the truth to local legal authorities.
The end credits of this episode run over a scene set in the near future, showing the woman visiting her husband's grave and then walking away to meet her lover.
Some critics complained that the emphasis on down-to-earth relationships weakened the show's science fiction premise and were also a means of saving money on special effects.
Others countered that the characters were more well-rounded than in other science fiction shows, and that science fiction concepts and special effects in themselves did not preclude realistic action and interaction and believable, emotionally engaging plots.
UFO confused broadcasters in both Britain and the United States, who could not decide if it was a show for adults or for children. In the UK, the first episodes were originally shown in the pm 'tea-time' slot on Saturdays, and then on Saturday mornings during an early repeat, by both Southern Television — which began broadcasting UFO almost two months before the London area — and London Weekend Television.
The fact that the companies associated with the Andersons, such as AP Films and Century 21 Productions , were primarily associated with children's programming did not help matters.
This confusion and erratic broadcast schedules are considered contributing factors in its cancellation, although UFO is credited with opening the door to moderately successful runs of later live-action, adult-oriented programming by Anderson such as The Protectors and Space: Establishing the main character and principal location as the chief executive of a movie studio was a cost-saving move by the producers: the Harlington-Straker Studio was the actual studio where the series was being filmed, originally the MGM-British Studios and later Pinewood Studios — although the Harlington-Straker studio office block seen throughout the series was actually Neptune House, a building at the former British National Studios in Borehamwood that was owned by ATV.
Pinewood's studio buildings and streetscapes were used extensively in later episodes, particularly " Timelash " and " Mindbender " — the latter featuring scenes that show the behind-the-scenes workings of the UFO sets, when Straker briefly finds himself hallucinating that he is an actor in a TV series and all his SHADO colleagues are likewise actors.
Typical of Anderson's work, the studio-as-cover concept served multiple practical and narrative functions — it was simple and cost-effective for the production, it provided an engaging vehicle for the viewer's suspension of disbelief , it eliminated the need to build an expensive exterior set for the SHADO base, and it combined the all-important "secret" cover concealment and secrecy are always central themes in Anderson dramas with at least nominal plausibility.
A studio was a business where unusual events and routines would not be remarkable or even noticed. Comings and goings at odd times, the movement of people and unusual vehicles, equipment and material would not create undue interest and could easily be explained away as sets , props , or extras.
Another recurring Anderson leitmotif was the concept of the mechanical conveyor e. In UFO this took several forms — Straker's "secret" office doubles as a secret elevator that takes him down to the SHADO control centre located beneath the studio, and the pilots of the Moonbase interceptors and the amphibious Sky One jet interceptor slide down boarding chutes to board their craft.
The interceptors then rise from their hangar via elevating platforms to a launch pad disguised as a lunar crater.
The special effects, supervised by Derek Meddings ,  were produced with limited resources. When filmed from the appropriate angle it produced an illusion of the helmet filling up and submerging the wearer's head.
The series also revisited and improved on the clever and cost-effective aquatic effects originally devised for Stingray. The submerged launch of Sky One was filmed on a special set dressed to look like an underwater location; a thin glass-walled water tank containing small fish and equipped with small air-bubble generators was placed in front of the camera, the set behind the tank was filled with smoke, and set elements were agitated with fans to simulate water movement, creating a surprisingly convincing underwater scene without any of the high cost or technical problems associated with real underwater filming.
SHADO has a variety of high-tech hardware and vehicles at its disposal to implement a layered defence of Earth.
Early warnings of alien attack would come from SID, the S pace I ntruder D etector, an unmanned computerised tracking satellite that constantly scans for UFO incursions.
The forward line of defence is Moonbase from which the three lunar Interceptor spacecraft, that fire a single explosive warhead, are launched.
The second line of defence includes Skydiver , a submarine mated with the submersible, undersea-launched Sky One interceptor aircraft , which attacks UFOs in Earth's atmosphere.
The special effects as in all Anderson's shows of this era were supervised by Derek Meddings, and the vehicles were designed by Meddings and his assistant Michael Trim.
As with all these Anderson series, the look and narrative action of UFO relied heavily on the groundbreaking miniature props and special effects sequences created by Meddings and his team, who devised a range of innovative low-cost, high-quality techniques used to create very convincing miniature sets and locations and miniature action scenes featuring ground transportation, underwater, atmospheric and space travel, and dramatic explosion effects.
The large-scale miniature vehicles and craft used for close-up filming were extremely detailed and combine innovative design with a high level of fine workmanship.
Most production miniatures typically consisted of a mixture of custom-made elements and detail pieces 'cannibalised' from commercial scale model kits.
Miniatures from the series known to still exist include: . The extraterrestrial spacecraft can readily cross the vast distances between their planet and Earth at many times the speed of light abbreviated and pronounced as "SOL"; e.
Their time on station is limited: UFOs can only survive for a couple of days in Earth's atmosphere before they deteriorate and finally explode.
The UFOs can survive for far longer underwater; one episode, "Reflections in the Water", deals with the discovery of a secret undersea alien base and shows one UFO flying straight out of an extinct volcano, which Straker describes as "a back door to the Atlantic ".
In flight they are surrounded by horizontally spinning vanes, and emit a distinctive pulsing electronic whine that sounds like a Shoooe-Wheeeh!
The personal arms of the aliens resemble shiny metal submachine guns; these have a lower rate of fire than those used by SHADO.
Later episodes, such as "The Cat with Ten Lives", show the aliens using other weapons, such as a small device that paralyses victims.
Notably for science fiction, the alien race is never given a proper name, either by themselves or by human beings; they are simply referred to as "the aliens".
They are humanoid in appearance, and the post mortem examination of the first alien captured reveals that they are harvesting organs from the bodies of abducted humans to prolong their lifespans.
However, the later episode "The Cat with Ten Lives" suggests that these "humanoids" are actually beings subject to alien mind control, and one "alien" body recovered was suspected of being completely homo sapiens , "possessed" by one of the alien minds—a concept central to Anderson's previous Supermarionation series Captain Scarlet and the Mysterons.
Their faces are stained green by the hue of a green oxygenated liquid , which is believed to cushion their lungs against the extreme acceleration of interstellar flight; this liquid is contained in their helmets.
To protect their eyes, the aliens wear opaque sclera contact lenses with small pinholes for vision. The show's opening sequence begins by showing the image of one of these contact lenses being removed from an obviously real eye with a small suction cup, even though the lens is not shown in contact with the eye.
The entire lens-removal sequence is shown in the pilot episode. Only two of the alien suits were made, so at no point in the series are more than two of the aliens seen on screen at any one time.
In the episode "Ordeal", Paul Foster is carried by two aliens while he is wearing an alien space suit, but one of those two aliens is always off-screen when Foster is on-screen.
The alien spacesuit costumes were made of red spandex. At the start of production, the alien spacesuits were ornamented with brass chain mesh, as seen in the episode "Survival".
Later, this was replaced by silvery panels. In reality, the dark vertical bands on the sides of the helmets were slits meant to allow the actors to breathe.
The Andersons never explained at the time why female Moonbase personnel uniformly wore mauve or purple wigs, silver catsuits , and extensive eye make-up.
Furthermore, their unusual apparel is never discussed in the series. Gerry Anderson has since commented that it made them look more futuristic and that it filmed better under the bright lights, while Sylvia Anderson said she believed wigs would become accepted components of military uniforms by the s.
However, in an interview given toward the end of her life, Sylvia explained that the decision was a combination of visual appeal and practicality - the wigs provided a striking and futuristic look, but they also saved the production the considerable time and expense of having to style the hair of each of the female Moonbase staff for each episode, as well as keeping the 'look' of the hairstyles consistent from episode to episode.
However, whenever female Moonbase personnel visited Earth as Ellis and Barry did from time to time , their lunar uniforms and wigs were never worn.
Ed Bishop, who had dark hair in real life, initially bleached his hair for Straker's unique white-haired look. After the break in production he began wearing a white wig.
Until not long before his death he possessed one of the wigs he wore on the show, and took great delight in displaying it at science fiction conventions and on TV programmes.
In the episode "Mindbender", Stuart Damon is seen wearing the same white wig, although deliberately ill-fitting, in a dream sequence segment.
Bishop also kept a Certina watch that was specially made for his character. Other male characters in the series also wore wigs, again because the Andersons felt that they would become fashionable for both sexes by the s.
Michael Billington does not wear a wig in early episodes; these can be identified by his receding hairline and long sideburns.
This is an allusion to the Andersons' earlier series Thunderbirds , which had the characters reaching their craft in similar fashion.
This was owing to the difficulty of getting a puppet into a cockpit easily and in a natural way. An alien spacesuit can also be seen in the Children's Film Foundation production Kadoyng.
Sylvia Anderson , having had made a pair of very sheer trousers for actor Patrick Allen to wear in the episode " Timelash ", later regretted not having had the nerve to ask him to wear a jockstrap underneath, and commented on the DVD release of the series that "you should not be able to tell which side anybody's 'packet' is on".
The futuristic, gull-winged cars driven by Straker and Foster were originally built for the Anderson movie Doppelgänger.
A plastic mould was made of the Straker car, in preparation for mass production, but the company never got off the ground.
Also, the gull-wing doors did not open automatically. Every shot in which the car door was seen to open automatically had to be arranged so that a prop man could run up to the car, just outside the frame, open the door, and hold it open while Ed Bishop stepped out.
In certain episodes most notably "Court Martial" the prop man can be seen. The show also made limited use of American models, which were unfamiliar to British viewers.
These supposedly futuristic vehicles included a Ford Galaxie station wagon and an Oldsmobile Toronado.
Using modified Austin Mini Moke chassis with an extra rear axle, the marine ply, fibreglass and perspex bodies, fitted for the film were modified, with the windscreen moved rearwards.
Later episodes, such as " Timelash " saw these doors omitted, presumably for ease of filming.